Wednesday, April 15, 2020

Literary Crime Drama Infused with Unique Sense of Place; Touching and Entertaining Family Saga


Disappearing Earth by Julia Phillips. One of 2019's most critically acclaimed novels is now in paperback. Although the story hinges on the abduction of two girls, this is hardly a conventional crime drama but rather a literary feast of character development that creates a fascinating sense of place. One August afternoon, two sisters - Sophia and Alyona, ages 8 and 11 - go missing from a beach on the far-flung Kamchatka Peninsula in northeastern Russia. Taking us through the year that follows in 12 succeeding chapters, this stunning debut takes readers into the lives of women and girls in this tightly knit community who are connected by the crime: a witness, a neighbor, a detective, and a mother. Add to that a terrific ending that most won't see coming, and you have quite the good read. 
  


Among the slew of rave reviews was this from the Minneapolis Star Tribune: "As each succeeding story of Disappearing Earth takes us another month away from hope that Sophia and Alyona will be found alive, it becomes apparent that the book is not about the sisters but about a place so remote and unfriendly that it only takes a couple of months for a tragedy to become a dark fairy tale the characters tell one another. . . . Beautifully written fiction."




Mrs. Everything by Jennifer Weiner. Just arrived in paperback, this ambitious and appealing saga from the popular Weiner chronicles the lives of two Jewish sisters from the 1950s to the present as they struggle to find their places - and be true to themselves - in a rapidly evolving world. Women's pop culture website PopSugar said, "You won't want this book to end as you laugh, cry, and root for these characters as if they were a part of your own family."  

 

 Here's a description from the publisher: "Jo and Bethie Kaufman were born into a world full of promise. Growing up in 1950s Detroit, they live in a perfect "Dick and Jane" house, where their roles in the family are clearly defined. Jo is the tomboy, Bethie the pretty, feminine good girl. As their lives unfold against the background of free love and Vietnam, Woodstock and women's lib, Bethie becomes an adventure-loving wild child who dives headlong into the counterculture. Meanwhile, Jo becomes a proper young mother in Connecticut, a witness to the changing world instead of a participant. Neither woman inhabits the world she dreams of, nor has a life that feels authentic or brings her joy. Is it too late for the women to finally stake a claim on happily ever after?" 

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